Formal composition in Arequipean facades of the Barroco Mestizo (c. XVI-XVIII)

Sergio Coll Pla; Gonzalo Ríos Vizcarra; Agustí Costa Jover; Josep Lluis I. Ginovart

doi:10.4995/ega.2020.11961

Formal composition in Arequipean facades of the Barroco Mestizo (c. XVI-XVIII)

Título traducido de la contribución: Composición formal de las fachadas Barroco- Mestizas Arequipeñas (s. XVI-XVIII)

Sergio Coll Pla, Gonzalo Ríos Vizcarra, Agustí Costa Jover, Josep Lluis I. Ginovart

Escuela Profesional de Arquitectura

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

The Barrocco Mestizo features formal wealth and knowledge of various origins. Its European origin is clear; however, its influences and evolution are not. This paper studies the medieval and classic influences in the Barroco Mestizo architecture. Specifically, it surveys the facades of the Churches of the Merced, San Francisco, the Company, Santo Domingo, San Augustine, and the Third Order. The facades of these churches are featured by its elaborate iconography.

Título traducido de la contribución	Composición formal de las fachadas Barroco- Mestizas Arequipeñas (s. XVI-XVIII)
Idioma original	Inglés
Páginas (desde-hasta)	92-103
Número de páginas	12
Publicación	EGA Revista de Expresion Grafica Arquitectonica
Volumen	25
N.º	40
DOI	https://doi.org/10.4995/ega.2020.11961
Estado	Publicada - 2020

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abstract = "The Barrocco Mestizo features formal wealth and knowledge of various origins. Its European origin is clear; however, its influences and evolution are not. This paper studies the medieval and classic influences in the Barroco Mestizo architecture. Specifically, it surveys the facades of the Churches of the Merced, San Francisco, the Company, Santo Domingo, San Augustine, and the Third Order. The facades of these churches are featured by its elaborate iconography.",

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AU - Ginovart, Josep Lluis I.

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Formal composition in Arequipean facades of the Barroco Mestizo (c. XVI-XVIII)

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